康恒之声丨垃圾焚烧发电厂：从被容忍的工业设施，到美好共生的城市资产

垃圾焚烧发电厂对于城市意味着什么？它是城市不得不接受的工业设施，还是也可以成为值得欢迎的存在？

近日，行业旗舰杂志《世界废物管理》最新一期聚焦中国企业康恒环境，向全球分享其通过融合先进技术、地域文化与建筑美学，将垃圾焚烧发电厂打造成连接环境基础设施与城市、社区及公众重要纽带这一系统实践。

▲《WMW》杂志10月版（2026第三期）封面

注：《Waste Management World》是全球唯一一本全面关注废弃物和资源行业各方面发展与创新的杂志。作为ISWA官方杂志，该杂志是废弃物服务公司、废弃物产生者、政策制定与决策者获取高价值内容的重要来源，在行业内具有广泛的影响力，对推动废弃物管理行业的发展和交流起到了重要作用。

▲《WMW》杂志10月版（2026第三期）康恒报道版面截图

以下是《世界废物管理》报道原文与中文译版整理：

DESIGNING A SUSTAINABLE FUTURE

设计可持续的未来

Waste-to-energy plants are still viewed as facilities a city tolerates, not welcomes. Yet some are becoming landmarks, education centres and public spaces. SUS ENVIRONMENT was among the first to design them that way, shaping each project around the local landscape and culture.

By Helena Nageler-Petritz

垃圾焚烧发电厂常被视为城市勉强容忍而非欢迎的设施。然而，一些垃圾焚烧发电厂正在成为地标、教育中心和公共空间。康恒环境是最早这样设计这些设施的机构之一，根据当地景观和文化来塑造每个不同的项目。

文/海伦娜·纳格勒·佩特里茨

Close your eyes for a moment and think about a typical waste-to-energy plant. Does it have an artistic facade and a golden ball decorating its chimney? A honeycomb exterior? An undulating silhouette? A ski slope on its roof? Probably not.

闭上眼睛片刻，想象一座典型的垃圾发电厂。它会有艺术感的外墙和装饰烟囱的金色球体吗?蜂窝状的艺术外观?优雅起伏的轮廓?屋顶上的滑雪坡道?很可能不会。

The public's traditional image of a WtE facility is, in the best case, functional, unassuming and slightly ugly and in the worst case, dirty, disorderly and smelly. But here's the question: If a WtE plant is to operate in a city for decades, must it remain an industrial facility that residents simply have to accept? What if architectural design is not mere "packaging" for a WtE project but an important interface connecting environmental infrastructure with the city, communities and the public?

公众对废物处理设施的传统印象，在最好的情况下是实用、朴素但略显丑陋;在最坏的情况下则是肮脏、杂乱且气味难闻。但问题在于:如果一座废物处理厂要在城市中运行数十年，它是否必须成为居民不得不接受的工业设施?如果建筑设计不仅仅是废物处理项目的"包装"，而是连接环境基础设施与城市、社区及公众的重要界面呢?

FROM INDUSTRIAL FACILITY TO URBAN LANDMARK

从工业设施到城市地标

There are already some examples of exactly that. Spittelau WtE plant in the heart of Vienna, Austria, was planned by artist Friedensreich Hundertwasser, who was famous for his amorphous, colourful design. CopenHill in Denmark's capital, Copenhagen, turns its roof into a ski slope combined with public amenities such as walking trails, climbing and viewing areas. These are industrial plants that do not need to be hidden but rather want to be seen.

已经有一些这样的实践。位于奥地利维也纳市中心的Spittelau垃圾焚烧发电厂，由艺术家弗里登斯赖希・洪德特瓦瑟设计，他以无定形、色彩斑斓的设计而闻名；丹麦首都哥本哈根的CopenHill项目将屋顶改造成滑雪坡道，并配有步道、攀爬区和观景区等公共设施。这些工业设施不需要隐藏，反而希望被看见。

SUS ENVIRONMENT, a leading global provider of comprehensive environmental services, has taken this global trend of deindustrialised WtE design to heart. But while companies often rely on a standard architectural template, the Shanghai-based business decided from the outset to abandon that approach and instead develop designs responding to local natural settings, culture and urban identity, giving each city its own WtE architectural expression, from the honeycomb elements of the Liuzhou Project to the sails of the Xinhui Project.

康恒环境，一家全球领先的环境与能源企业，对于去工业化废物处理设计的这一全球趋势了然于心。尽管许多公司通常依赖标准的建筑模板，这家总部位于上海的企业从一开始就决定摒弃这种做法，转而开发响应当地自然环境、文化和城市特色的设计，使每个城市都拥有自己独特的废物处理建筑表达，从柳州项目的蜂窝元素到新会项目的风帆造型。

"Every city has its own distinctive character and cultural identity. We do not want to replicate the same WtE plant in different places. Instead, we aim to create a unique connection between each facility and the city it serves, shaping spaces where infrastructure and communities can coexist in harmony. With advanced technology ensuring optimal waste-to-energy performance, we also take into account the natural environment, cultural memory and community context, designing a sustainable future tailored to each city," said Liu Heng, Head of Brand and Sustainability at SUS ENVIRONMENT Group.

"每个城市都有其独特的个性和文化认同。我们不想在不同地方复制相同的垃圾焚烧发电厂。相反，我们的目标是在每个设施与其服务城市之间建立独特的联系，塑造基础设施与社区和谐共处的空间。凭借先进技术确保最佳的垃圾发电性能，我们还考虑到自然环境、文化记忆和社区背景，为每个城市量身定制可持续的未来。"康恒环境集团品牌与可持续发展相关负责人表示。

The list of domestic and international architecture and design honours for the projects is long and includes the China Construction Engineering Luban Prize, Paris Design Awards and Architizer A+ Awards.

编辑：赵凡